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![]() ![]() Attributes such as a more sinister tone, or a realistic appearance are integrated within children’s chapter books in order to reflect a shift in maturity of the reader and their growing awareness of danger. The gothic genre offers the reader an opportunity to explore anxieties and concerns through the safety of fiction-monsters serve exactly the same purpose for children. As the child ages, they often become more aware of the dangers that surround them. The next section, ‘The Monstrous Form’, will identify the transformation of tone and physical form between the monster that is present in younger picture books, and the form of the monster in children’s chapter books. This article will argue that an early introduction to monsters allows the child to fully explore and develop their imagination-they are completely immersed in a world of make-believe. In order to examine the impact that this figure has on a child at such an early stage, each monster will be considered through the lens of typical imaginative development. ![]() Analysing the portrayal of popular monsters for a young readership will allow for an identification of trends and attributes which are commonly adopted at this early stage. This will include an examination of pop-up books, picture books and chapter books. The first section, ‘Monsters and Imagination’ will focus on the appearance of the monstrous figure across different formats and targeted towards very young children. It is only through charting this rapidly transforming figure that one is able to identify ways in which the monster can be understood as a beneficial, healthy addition to the typical developmental pattern of a child’s imagination.Įach segment of this article will examine different portrayals of the monster, either through appearance, different book formats, or through a change in tone. This article will analyse a sample of monsters which represent the shift between a figure that is comical and brightly illustrated, to one that can be viewed as a genuine threat. Instances where ‘happy’ monsters are introduced to young children as brightly illustrated and over-exaggerated, often results in the child creating an association between the monster and a happy ending (therefore viewing this figure as non-threatening). It can be argued that although most adults would find this fluid form particularly terrifying, children could potentially consider this a challenge-the necessity to recognise the monster and identify its shifting appearance contributes to a sense of adventure. ![]() As this article will argue, Cohen recognises that it is the very essence of inconsistency of any ‘systematic structuration’ that make monsters so effective, so frightening and therefore so memorable to a young person. And so the monster is dangerous, a form suspended between forms that threatens to smash distinctions’ ( 1996, p. Jeffrey Jerome Cohen defines monsters as, ‘disturbing hybrids whose externally incoherent bodies resist attempts to include them in any systematic structuration. This figure can often be found championing good over evil, one that is able to help a child through turbulent issues, or as a comrade setting out to accompany them on great adventures. Our general understanding of the term ‘monster’ has shifted over the years due to a variety of literary examples which highlight the fluidity of this form. Likewise, literary monsters must continuously evolve and adapt with the maturity of the reader in order to maintain a balance of fear and imagination. Frankenstein’s creature learned the necessity of development and education in order to ensure survival. ![]() Tracking the evolution of the monstrous figure, this article will examine the appearance of selected monsters in literature aimed at younger readers. Combine this with imagination, and the result is a potent mixture of adrenaline, excitement and nightmares. Older children commonly use this fear as the foundation upon which to develop their bravery in order to confront their monster in later childhood, or later life. Monsters that we create or are exposed to in early childhood can often linger in the memory and imagination of an individual due to a personalisation of fear. ![]() ![]() ![]() This is one of many unique games available for users with Android devices today. If you enjoy playing exciting, high quality games on your smartphone, then you're going to love Air Assault HD. Play with a friend or 2 in split-screen action for even more thrill.Īndroid users can enjoy this exciting arcade game for free. It has got really good rating points and reviews. Collect crates as you rack up points and unlock new weapons as you make progress through the air assault mission. AirAttack HD Lite is on the top of the list of Free Arcade category apps on Google Playstore. You'll need to master your control of your aircraft by learning to target enemies by utilizing the handy d-pad which triggers every action in the game. The highly addictive game keeps you engaged from start to finish with a fast paced pace of exciting air combat. If you enjoy precision gaming with an emphasis on quick reflexes then you'll love Air Assault HD. Master the skills of each weapon and use your skills to destroy everything in your path as you score spectacular kills and rack up points to move on to the next level. Each enemy has different patterns of attacks including shield blocks, lasers, missiles and much more and can also be customized to your own liking. V 1.4.1 4. Upgrade your ship by acquiring crates as you fight through waves of enemies. Control your character by using touch screen controls and a variety of keyboard controls. This is always a fun way of playing games and is sure to get onlookers to notice you.ĭownload the full game from the Android market. If you want to try the free version before buying, download AirAttack HD Part 1 which has 3 levels of play.Air Assault HD is a fast paced award winning next-generation top down arcade game on Google Play which is packed full of adrenaline pumping action packed with highly intense weapons and an equally exhilarating storyline. Lastly, you can use the tilt mode which allows for movement of the plane by tilting the tablet itself. I have found that relative touch control works best for me. The touch and the relative touch are very smooth and the easiest controls to use. ![]() The advantage of a tablet with a large screen is the ability of using touch controls in games. By far the joypad is the most difficult and not recommended. You have four choice from touch, relative touch, tilt, and joypad. Who are the enemy forces Same as usual, of course: the Nazis. One of the great features of this game is the joystick control. Sequel of Award Winning next-gen top down air combat shooter with stunning 3D graphics and amazing orchestral soundtrack. Download AirAttack HD Lite 1.8.1 Art In Games 1 28 k Enjoy this air battle classic with updated graphics Advertisement Download 26.41 MB free AirAttack HD Lite is a traditional vertical shootem up where you control a combat plane and fight enemy forces. There 58 different enemy types from air and ground along with huge end level bosses. The first plane has a standard shooter while the second plane adds a flame shooter as well. The game features 8 levels of play on easy, medium, or hard with 2 planes that includes upgrades and special weapons. It has over 1 million downloads on the Android market with an average rating of 4.5 stars. This is by far one of best rated games for tablets and well worth the price of $2.99. Award Winning next-gen top down air combat. Air Attack HD is a top down air combat shooter game with great graphics that runs very smoothly on tablets. AirAttack HD Lite 1.8.1 latest version APK Download by Art In Games for Android free online at. ![]() ![]() ![]() Lead round nose bullets can penetrate deeply and strike bone at relatively high velocity and can be cleanly cut in half or shaved vertically. Bone struck by bullets may not only fragment the bone, but also split the bullet. Wood, glass, fabric, plastic, or tissue may leave marks as well as fragments on the bullet tip. The soft exposed lead nose on non-full metal jacketed bullets can be imprinted with anything that is penetrated by the bullet. The above results are uniformly valid only in artificial media (such as ordnance gelatin) but correlate with human tissue. At velocities approaching 1500 fps the bullet is transformed into a rounded ball of lead and copper. This accounts for fragments of copper (with rifling marks) commonly seen as surgical specimens. The jacket stops in the subcutaneous tissue and the bullet will continue to penetrate. An interesting artefact of impacts around 1000 fps is the tendency of the copper jacket to be shed from the lead. Over 1000 fps real expansion starts to occur and by 1200 fps the nose is turned over to form a mushroom shape. Between 8 fps a slight flattening of the bullet nose can be expected. No change in shape occurs until impact velocity achieves about 800 fps. With the exceptions of lung and bone, tissue densities are relatively constant. The degree to which this happens depends upon the texture of the tissue impacted, the velocity at impact, and the softness of the bullet (usually quite constant). Photography will be valuable.Įxpansion of a semi-wadcutter hollowpoint bullet increases the frontal area and blunts the shape. The best surgical pathology description would give dimensions as measured (use vernier calipers for best results), shape, and appearance of surface. ![]() Therefore, use caution in opinions regarding the type of weapon or cartridge used based upon examination of bullets. 38 special, and 9 mm parabellum have essentially the same. 30 caliber cartridge developed in 1906 the handgun cartridges called. Most names have a historic basis and have little to do with any real physical measurements: a. Remember in measuring bullets to determine the type of cartridge used that the actual bullet diameter, even of non-deformed bullets, is not the same as the name of the cartridge. (Russell et al, 1995) (Sepehripour et al, 2017) Bullet recovery and handling requires care so that no artefactual deformation of these characteristics occurs. The bullet nose carries information about the target, and recognizing these findings may give a clue to the injury rendered. These spiral lines, or striae, are the result of the gross and microscopic imperfections of the gun from which it was fired and can be as specific as a fingerprint. The bullet sides will bear the markings of the barrel's interior rifling. The bullet base may contain irregular dimples marking the pressure delivered there in its acceleration down the gun barrel. An understanding of the function of a bullet will aid interpretation of morphologic findings. Proceed to Examination of Gunshot Residueįirearms Tutorial menu Criminalistics Laboratory Methods Surgical pathology description of bulletsĮach bullet keeps a diary in its own way of where it has been and what it has done. ![]() ![]() ![]() If you are quoting a whole sentence, you do not have to italicize the non-English words. Quotations Entirely in a Non-English Language Perhaps children represented a phrase, an utterance or. One might wonder if children even extracted a target word from the Dutch speaker’s input. In such case, you can provide more context for them. In future work, it will be interesting to explore the longevity of this expectation and the extent to which foreign word-object representations can be sustained when tested by two Dutch speakers. There is no need to translate them, unless they are used by the author in an innovative and unusual ways. ![]() Such popular words can be found in a dictionary and are considered a part of the English language. There are a number of commonly used foreign words, abbreviations and phrases that are part of American English: ad hoc, cliché, concerto, genre, sic, versus. anguish instead of toska) can be seen as misrepresenting the key term, because it does not invoke the other layers of meaning. (Nabokov XXXIV)Īfter introducing the key term, you can explain to your audience the meaning of the term and how it might compare and contrast with similar terms they know. ![]() At the lowest level it grades into ennui, boredom. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. Germans have traditionally displayed a strong ambivalence toward adopting foreign words. Definition: The mild and pleasant smell or scent of earth associated with the first rain after a dry spell. German has always been willing to import words from other languages. 10 Petrichor (n.) Pronunciation: PET-ri-kuhr. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. Definition: The pitter-patter of a light drizzle. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. Every time I stumble upon a foreign word or phrase untranslatable in English I save it in a special document to look back on when I want to feel inspired. No single word in English renders all the shades of toska. ![]() ![]() ![]() ![]() Today, we’re taking our identity back and rediscovering who we are. Nudity was never the problem, because nudity isn’t a problem. I’ll be the first to admit the way in which the magazine portrayed nudity was dated, but removing it entirely was a mistake. Incoming Chief Creative Officer Cooper Hefner, spawn of Hugh Hefner, took to Twitter to announce Playwatch’s new direction, commencing with the March/April 2017 issue: The inspiration behind Playwatch’s nudity-free year If you want to contact us, we will read all emails sent to will see you in the battleground Heroes! It has been a privilege getting to know you all, and we will keep you updated with any news we have. The entire Playwatch Team is extremely grateful for your support. We started several months ago with the goal of bringing Overwatch fans a new way of enjoying the game and creating a place where artists and writers could share their work with the rest of the community. We have spent our time and resources to make Playwatch a big project, and this has clearly paid off. Your help and enthusiasm made it all worth it. For that reason, we have contacted Blizzard directly and decided to close the website until we have an answer from them. We have received a notification from a digital copyright protection agency that claims Playwatch Magazine infringes Blizzard’s intellectual property rights. There is no present tense, there will be no future tense: due to concerns from Blizzard about its Overwatch characters appearing in the magazine, Playwatch has been cancelled.įans who visit Playwatch’s official website are now greeted with the following message: And because of the failures of the English language, we read Playwatch in the past tense. ![]() We might all masturbate to the characters of Overwatch, but when it comes to Playwatch magazine, we just read it for the articles. The most offensive thing you'll see this year ![]() ![]() ![]() When used to approximate the Earth and calculate the distance on the Earth surface, it has an accuracy on the order of 10 meters over thousands of kilometers, which is more precise than the haversine formula. Lambert's formula (the formula used by the calculators above) is the method used to calculate the shortest distance along the surface of an ellipsoid. Because of this, Lambert's formula (an ellipsoidal-surface formula), more precisely approximates the surface of the Earth than the haversine formula (a spherical-surface formula) can. Results using the haversine formula may have an error of up to 0.5% because the Earth is not a perfect sphere, but an ellipsoid with a radius of 6,378 km (3,963 mi) at the equator and a radius of 6,357 km (3,950 mi) at a pole. The great-circle distance is the shortest distance between two points along the surface of a sphere. It is formed by the intersection of a plane and the sphere through the center point of the sphere. A great circle (also orthodrome) of a sphere is the largest circle that can be drawn on any given sphere. The haversine formula works by finding the great-circle distance between points of latitude and longitude on a sphere, which can be used to approximate distance on the Earth (since it is mostly spherical). In the haversine formula, d is the distance between two points along a great circle, r is the radius of the sphere, ϕ 1 and ϕ 2 are the latitudes of the two points, and λ 1 and λ 2 are the longitudes of the two points, all in radians. The haversine formula can be used to find the distance between two points on a sphere given their latitude and longitude: There are a number of ways to find the distance between two points along the Earth's surface. Given the two points (1, 3, 7) and (2, 4, 8), the distance between the points can be found as follows: d =ĭistance between two points on Earth's surface ![]() Like the 2D version of the formula, it does not matter which of two points is designated (x 1, y 1, z 1) or (x 2, y 2, z 2), as long as the corresponding points are used in the formula. Where (x 1, y 1, z 1) and (x 2, y 2, z 2) are the 3D coordinates of the two points involved. The distance between two points on a 3D coordinate plane can be found using the following distance formulaĭ = √ (x 2 - x 1) 2 + (y 2 - y 1) 2 + (z 2 - z 1) 2 For example, given the two points (1, 5) and (3, 2), either 3 or 1 could be designated as x 1 or x 2 as long as the corresponding y-values are used: The order of the points does not matter for the formula as long as the points chosen are consistent. Where (x 1, y 1) and (x 2, y 2) are the coordinates of the two points involved. 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Movavi Photo Editor 5.2.0 (2018) : improve framing and composition with transformation tools: crop, flip, or straighten, resize your images. Download Movavi Photo Editor 5.2.0 Full Version : ![]() ![]() ![]() This method cannot provide depth control, and it is mostly assumed that the main anisotropy resides in the lithospheric mantle or the asthenosphere 10. It is most often detected by the so-called SKS-splitting method that identifies the accumulated anisotropy between the Earth’s core and the surface by measuring the travel-time difference between the horizontally (SH) and vertically (SV) polarised waves. Surface wave inversion taking anisotropy into account indicates that the upper crust is highly anisotropic in the Limpopo Belt, and that both the mantle lithosphere and the asthenosphere are anisotropic with different directions of the fast axes 9.Īnisotropy is direction-dependent seismic velocity. Seismic surface wave tomography indicates that the lithosphere thickness is around 175 km when possible anisotropy is not taken into account 8. Seismic body-wave tomography, by assuming an isotropic mantle, indicates lithosphere thicknesses of up to 250 km by application of ray-theory methods 6 and up to 350 km by application of finite-frequency methods 7, respectively. The depth extent of the southern African cratons has been studied by several methods that indicate substantially different estimates for the thickness of the lithosphere. Surface geologic mapping and chronology, together with results from isotope studies on xenoliths, show that the cratonic crust of southern Africa formed and stabilised in the Archaean 4 and that it was reworked by a series of Proterozoic and Phanerozoic tectonomagmatic events 5. The early-to-late Archaean cratons in southern Africa constitute a natural laboratory for studies of the formation of cratons and their retention for billions of years. ![]() The stability of the lithosphere system of crust and mantle depends primarily on the rheology of the lithospheric mantle 2, 3 as the part of the lithosphere directly affected by mantle flow, and also on the degree of coupling between the crust and mantle since cratonisation. ![]() An enigmatic feature of Precambrian continental lithosphere is its long-term stability 1 after formation and amalgamation more than 2 billion years ago. ![]() |
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